That the motorway was also there, with a deep cut abruptly restricting the building site, did not disturb him. As a «Life line» of our civilisation it would be properly integrated into the project and find its aesthetic-functional echo here. His way of portraying and presenting his vision of things is simple and it makes it attractive to the eye of common onlooker. This variety of experience and creativity is fully in the spirit of Paul Klee's artistic style and philosophy, which was influenced by wide range of art movements and mediums, ranging from music and writing to painting and printmaking. Who is responsible for heritage in outer space? The entire complex is parallel to the highway and takes the shape of the curve. The glass for the glazed facades, steel gray and oak interior floors are all that the architect needed to realize their project. Piano, taking inspiration from the gently rolling hills of the landscape, designed this museum to exist in harmony with the natural scenery, as opposed to obstructing or detracting from it. After reviewing alternative materials such as aluminum, copper and titanium, it was decided to use a special steel for the deck. In an interview he did, Renzo Piano said, “Being an architect is best in the world because, on this small planet, where there is nothing more to discover, design is one of the few adventures left.”. Alternatively, ExpressBus operates a bus from Bellinzona Via Henri Guisan to Bern P+R Neufeld once a week. The pioneering advocate for women’s rights has inspired many attempts to catch her likeness and spirit – but what can these portraits tell us about her legacy? The collection is comprised of thousands of drawings, watercolours, and paintings. ", © www.Paul-Klee.org 2019 . Zentrum Paul Klee covers an area of 16'000 sq m. In order to keep the center flexible when it comes to hosting other exhibitions, curators can decide to move entire walls with ease. When Renzo Piano learned where to going to work, the first thought that came to mind was to use the context to create a composition that could be appreciated from every standpoint, “Klee does not deserve a museum, but a landscape. The light intensity inside the exhibition area has to be maintained between 50 and 100 lux. His vision is broad and comprehensive, not only seeks to address a building, if not a better space and power to intervene and assist in urban area. It is very different at the back of the building: in order that the unity of nature and the architecture is not disturbed, it was also his explicit wish that the area around the building should be used as farm land and not converted into a park. The museum is fully accessible to physically-impaired persons. The irony and tragedy is often blended with innocent images in the works of Klee. Being exposed to the light for prolonged periods will cause the art work to change; they will eventually bleach, turn brown, and become brittle. The façade These three bodies of the center are united by a “street” pedestrian traffic up and joins the main route the cafeteria, office and library. To this we add the hardwood floor that has thousands of small and almost imperceptible grooves, which allow the cool air passes through them, and warming up as they go up, only to be expelled to the outside and thus promote proper ventilation. The beautiful piece of land, with the Villa Schöngrün and the Schosshalde graveyard with the grave of Paul Klee in the immediate vicinity, seemed as though created for the construction of a museum which would accommodate the complete work of the Paul Klee Foundation. Yet another for reason for the regular rotation of the artist's works is preservation.
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